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The Oshin TV movie, though fiction, held sway over the minds of not only the Japanese but all Asian minds around the early 1980s.
Zenko wrote in his autobiography that he tackled all kinds of jobs – carter, coal/charcoal retailer, shellfish dealer, street trader, rice broker, etc.
Adachi returned to Yasugi for marriage and opened his firm in charcoal venturing, the beginning of the Adachi Conglomerate.
He had extremes of fortune, ups and downs, frequent changes of commodities, from grains and textiles to hardware and swords manufacturing.
But the accumulation of artwork, his treasure trove, should have encouraged his ambitions not only to create an art museum but also the museum garden. I planned to visit Adachi for a long time but did not make it until this summer. To the west on the San-in Road toward Matsue and south along the River Iinashi, merging with Hii-River (supposedly the raging river personified as an 8-headed, 8-tailed serpent tamed by God Susanoo per the Kojiki, the Legendary History of the old Japan).
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He likened his boyhood to male “Oshin”, a country girl sent off to work as a babysitter to support her family at age 7.